Mark Jenkins, Art Critic for the Washington Post, reviewed my show June 10 saying,

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     "Upstairs in the resident artist’s gallery, Stephanie Lane demonstrates multiple styles of gestural abstraction. Her large “Thresholds” paintings include one in which a multicolored, torso-like shape emerges from darkness and three drawing-like pictures rendered mostly in black asphaltum (a carbon-heavy natural substance) on whiteboard. Although only some of Lane’s spiraling, spontaneous pictures include hints of human forms, they all suggest bodies in motion."